Hitchcock University: A Free Film School

209-Marty Makes a Commercial Film (Color of Money)

In this class session, Marty teaches us how to work with a star and make a commercially successful film.

208-Marty Becomes a Professional (King of Comedy)

In this class session, Marty teaches us what it means to be a professional.

207-Marty Gets Subjective (Raging Bull)

In this class session Marty lets us in on what has made him and Bobby De Niro so successful, as well as teaches us about creating a subjective experience through the eyes of a protagonist.

206-Marty Improvises (NewYork, New York)

In this class session, Marty teaches us about the problems improv filmmaking can create, as well as the attention to detail required to replicate a period look.

205-To Love is to Kill (Taxi Driver)

In this class session, Marty teaches us to prioritize the story over the production.

204-Marty's First Assignment (Alice Doesn't Live Here Anymore)

In this class session Marty teaches us about how to edit a script, and about camera movement.

203-Marty Has Vision (Mean Streets)

In this class session, Marty teaches us how to collaborate with actors, and his shortcut for getting the most out of pre-composed music.

202-Marty Gits Some Learnin' (Boxcar Bertha)

In this class session, Marty passes on some practical lessons he learned from the master of low budget filmmaking, Roger Corman. Also, we have a special announcement on how you can win some free movies.

201-Marty's Hard Knocks (Who's That Knocking at My Door)

In our first class session we learn the pains of a first feature.

200-Syllabus

In our first class session back, I give you the syllabus for the year, so you'll know exactly what's to to expect from our new teacher, the great Martin Scorsese.