Hitchcock University: A Free Film School

219-Marty Weaves a Tale (Shutter Island)

In this class session, Marty teaches us how to layer a complicated film in which the various realities presented, may or may not be the "true" one.

218-Marty & The Cast (The Departed)

In this class session, Marty teaches us his techniques for directing actors.

217-Marty Sticks to His Guns (The Aviator)

In this class session, Marty teaches us the importance of sticking to your vision.

216-Marty Montages an Opera (Gangs of New York)

In this class session, Marty blends reality with fiction, and puts an emphasis on montage editing.

215-Marty Reaches Enlightenment (Kundun)

In this class session, Marty learns a new way to make a film.

214-Marty and the Human Epic (Casino)

In this class session, Marty teaches us how to make a movie big, but also how to keep it human, even if the characters aren't likable.

213-Marty Let's the Camera Talk (Age of Innocence)

In this class sesssion, Marty teaches us to let the visuals speak for the characters.

212-Marty Stays True (Cape Fear)

In this class session, Marty teaches us the importance of being true to yourself as a filmmaker.

211-Marty Gets Creative (Goodfellas)

In this class session, Marty challenges us to think outside the box and get creative.

210-Marty Compromises (The Last Temptation of Christ)

In this class session, Marty learns that sometimes an uncompromising vision can stand in the way of telling the stories you want to tell.