Hitchcock University: A Free Film School

306-When Individuals Collaborate (From Dusk Till Dawn)

In this class session, Rodriguez shows us how he can still be collaborative while maintaining a unique voice and technique.

305-Rodriguez Makes a Little Look Like a Lot (Desperado)

In this class session, Rodriguez teaches us how to make very limited resources look like a major motion picture, and encourages us that practice is the only way to keep improving.

304-Oh I'm Sorry, Did Quentin Break Your Concentration (Pulp Fiction)

In this class session, Quentin shows us not only how to think outside the box, but how it leads to making an impression on your audience.

303-Quentin Doesn't Tell You Anything, But He Shows You Everything (True Romance)

In this class session, Quentin teaches us what makes a story different from a situation, and helps us understand what filmmaking is at it's core.

302-Robert Rodriguez Rebels (El Mariachi)

In this class session, Robert Rodriguez gives us the groundwork for how to make films on the lowest budget possible, and gives us a step by step guide on what it means to make a film on your own.

301-Quentin Didn't Create the Situation, He's Dealing With It (Reservoir Dogs)

In this class session, Quentin teaches us the foolproof method of directing a movie.

300-Syllabus: Tarantino & Rodriguez

In our first class session back, we get a preview of what our third semester will bring, as we introduce our latest masters to Hitchcock University, Quentin Tarantino and Robert Rodriguez.

222-Marty's Biggest Lesson (Silence)

In our final class session, Marty reminds us of the importance of remaining flexible, and embracing inspiration.

221-Marty Crafts Performances (Wolf of Wall Street)

In this class session, Marty teaches us how to craft a performance from pre-production through post-production.

220-Marty's Past, Present and Future (Hugo)

In this class session, Marty teaches us about the history of film, while tackling its future.